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Music (MUSC)
- http://www.usc.edu/schools/music/programs/history/
- D class assignments available in TMC200; phone (213) 740-4721.
- Students accepted into a graduate program must take entrance examinations prior to their first registration. Any deficiencies revealed must be removed prior to completion of two semesters of course work. Transferring undergraduate students registering for the first time who have previous course work must take the appropriate examination for placement. Contact the Thornton School Office of Student Affairs for information. INDIVIDUAL INSTRUCTION - 1 unit has a $350 fee, and includes 7.5 hours of total instruction. 2 units has a $700 fee, and includes 15 hours of total instruction. Contact school for course level guide.
Exploration of music and cultures of the world. Engagement with international musicians, global issues, field work and musical diasporas in Los Angeles.
- General Education: This course satisfies the university's general education requirement.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47203R | 001 | Lecture | 4:00-5:50pm | Mon, Wed | 148 of 150 | Scott Spencer | THH202 |  |
An introduction to Western art music and culture from the Medieval, Renaissance, Baroque, Classical, Romantic and Modern eras through reading, listening, analyzing and writing about music.
- General Education: This course satisfies the university's general education requirement.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47208R | 001 | Lecture | 2:00-3:50pm | Mon, Wed | 67 of 100 | Rotem Gilbert | BMH100 | |
A uniquely American genre, the Broadway musical serves as a catalyst for inquiry into human diversity, cross-culturalism, and significant social and political issues.
- General Education: This course satisfies the university's general education requirement.
- Diversity: This course satisfies the university's diversity requirement.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47213R | 001 | Lecture | 4:00-5:50pm | Tue, Thu | 125 of 150 | Alastair Edmonstone, Brian Head | THH202 | |
The origins and development of EDM and its relatives such as disco, house, techno, rave and electronica, focusing on cultural and technological influences.
- General Education: This course satisfies the university's general education requirement.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47216R | 001 | Lecture | 6:00-7:50pm | Mon, Wed | 79 of 150 | Sean Nye | THH202 | |
An interdisciplinary approach to music, mind and brain. Explores music as an object with its own properties and as a form of human behavior.
- General Education: This course satisfies the university's general education requirement.
- Crosslist: This course is offered by the PSYC department but may qualify for major credit in MUSC. To register, enroll in PSYC 215.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 52480R | 001 | Lecture | 2:00-3:20pm | Tue, Thu | 100 of 100 | Assal Habibi, Beatriz Ilari | MRF340 | | |
| 52491R | 001 | Lab | 4:00-5:50pm | Tuesday | 25 of 25 | KAP113 | | ||
| 52494R | 001 | Lab | 4:00-5:50pm | Thursday | 25 of 25 | KAP113 | | ||
| 52498R | 001 | Lab | 12:00-1:50pm | Friday | 25 of 25 | KAP159 | | ||
| 52499R | 001 | Lab | 12:00-1:50pm | Wednesday | 25 of 25 | KAP165 | |
A chronicle of the musical contribution of Africans and African Americans to American society and to the foundations of musical genres and styles throughout the world.
- General Education: This course satisfies the university's general education requirement.
- Diversity: This course satisfies the university's diversity requirement.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47220R | 001 | Lecture | 10:00-11:50am | Mon, Wed | 57 of 60 | Reginald Quinerly | KDC240 | Word (32195 KB) | |
Development of musical and lyrical skills, composing, listening, analysis, and critiques of popular original music.
- Note: The activities of this class cannot be accomplished effectively while everyone is masked. All students enrolled in this course must be cleared by the Thornton School of Music for proximity to in-person aerosol-producing activity. The last day for any non-majors or non-minors to register for this course will be Wednesday, January 5th.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47223D | 001 | Lecture | 6:00-7:50pm | Tuesday | 25 of 26 | Andrea Stolpe | TMCG102B |  | |
| 47224D | 001 | Lecture | 12:00-1:50pm | Tuesday | 20 of 25 | Andrea Stolpe | TMCG102B | | |
| 47225D | 001 | Lecture | 4:00-5:50pm | Thursday | 13 of 25 | David Poe | TMCG102B | | |
| 47226D | 001 | Lecture | 4:00-5:50pm | Wednesday | 22 of 25 (1 on waitlist) | David Poe | TMCG102B | | |
| 47227D | 001 | Lecture | 5:00-6:50pm | Monday | 23 of 26 (1 on waitlist) | Christopher Sampson | TMCG102B | | |
| 47228D | 001 | Lecture | 12:00-1:50pm | Thursday | Canceled | David Poe | |
A history of hip-hop music from its inception to the present: its musical processes and styles, as well as attendant social, political and cultural issues.
- General Education: This course satisfies the university's general education requirement.
- Diversity: This course satisfies the university's diversity requirement.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47229D | 001 | Lecture | 6:00-7:50pm | Tue, Thu | 148 of 152 | Sean Nye, Jae Deal | THH202 | |
Continuation of Songwriting I; particular emphasis on the analysis of the techniques of important popular songwriters and the application of these techniques to original songs.
- Prerequisite: MUSC 255
- Note: The activities of this class cannot be accomplished effectively while everyone is masked. All students enrolled in this course must be cleared by the Thornton School of Music for proximity to in-person aerosol-producing activity. The last day for any non-majors or non-minors to register for this course will be Wednesday, January 5th.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47234D | 001 | Lecture | 4:00-5:50pm | Tuesday | 32 of 35 (5 on waitlist) | Andrea Stolpe | TMCG102B | | |
| 47235D | 001 | Lecture | 12:00-1:50pm | Thursday | 4 of 25 | David Poe | TMCG102B | |
An exploration of musical practices and styles which reflect and shape national identities and which focus on those created in response to political turmoil in many forms.
- General Education: This course satisfies the university's general education requirement.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47240R | 001 | Lecture | 12:00-1:50pm | Tue, Thu | 55 of 70 | Lisa Vest | TMCG156 | |
Music, lyrics, recordings, production techniques, career strategy, social ramifications, and especially the technological impact of the musical group known as The Beatles.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47249R | 001 | Lecture | 4:00-5:50pm | Mon, Wed | 70 of 70 | Bill Biersach | ONLINE | |
Critical examination of the lyrics, structure, associated mythology, technology, and evolving styles of popular music reflecting the turbulent societal changes during the Sixties and Seventies.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47252R | 001 | Lecture | 6:00-7:50pm | Wednesday | 57 of 70 | Bill Biersach | ONLINE | |
Music, life, recordings, and attendant musical, cultural and political influences of a seminal musician or group in 20th or 21st century popular music.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| The Music of Crosby, Stills, Nash, and Young | |||||||||
| 47255R | 001 | Lecture | 10:00-11:50am | Monday | 19 of 20 | Bill Biersach | ONLINE | | |
| The Music of Pink Floyd | |||||||||
| 47256R | 001 | Lecture | 10:00-11:50am | Wednesday | 19 of 20 | Bill Biersach | ONLINE | | |
Continuation of Songwriting I and II with emphasis on the development of performance skills of original popular music in preparation for songwriting showcases.
- Prerequisite: 1 from (MUCO 254 or MUSC 355)
- Note: The activities of this class cannot be accomplished effectively while everyone is masked. All students enrolled in this course must be cleared by the Thornton School of Music for proximity to in-person aerosol-producing activity. The last day for any non-majors or non-minors to register for this course will be Wednesday, January 5th.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47263D | 001 | Lecture | 6:00-7:50pm | Wednesday | 22 of 25 | Christopher Sampson | TMCG102B | | |
| 47264D | 001 | Lecture | 2:00-3:50pm | Tuesday | 5 of 25 | Sean Holt | TMCG102B | |
Interactive exploration of injury prevention, body awareness disciplines, effective practice strategies, warm-ups and stretches, performance anxiety, hearing protection, and other pertinent wellness topics for musicians.
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47274D | 001 | Lecture | 5:00-6:50pm | Tuesday | 14 of 25 | William Kanengiser | MUS204 | |
A study of the practical aspects of the music business, including the history, procedures, standard practices, economics and technologies employed by the music industry. Open to juniors and seniors only.
- Restriction: Registration open to the following class level(s): Junior, Senior
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47277D | 001 | Lecture | 10:00-11:50am | Wednesday | 88 of 100 | Christopher Sampson | BMH100 | |
Practical work experience in the student's field of study, at an off-campus location. Students are individually supervised by faculty. Open only to Bachelor of Music and Bachelor of Arts, Music majors only. Not available for graduate credit. Graded CR/NC.
- Restriction: Registration open to the following major(s): Music, Composition, Jazz Studies, Jazz Studies (Vocal), Music Education, Music Industry, Bassoon, Clarinet, Classical Guitar, Double Bass, Flute, French Horn, Harp, Oboe, Organ, Percussion, Piano, Saxophone, Studio Guitar, Trombone, Trumpet, Tuba, Viola, Violin, Violoncello, Vocal Arts
- Restriction: Registration open to the following class level(s): Freshmen, Sophomore, Junior, Senior
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47280D | 001 | Lecture | TBA | TBA | 3 of 25 | Brian Head | MUS317 | |
Practical work experience in the student's field of study, at an off-campus location. Students are individually supervised by faculty. Open only to music majors. Graded CR/NC.
- Restriction: Registration open to the following major(s): Music (Early Music Performance), Music (History and Literature), Choral Music, Composition, Conducting, Jazz Studies, Music Education, Bassoon, Clarinet, Classical Guitar, Double Bass, Flute, French Horn, Harp, Performance (Keyboard Collaborative Arts), Oboe, Organ, Percussion, Piano, Saxophone, Studio Guitar, Trombone, Trumpet, Tuba, Viola, Violoncello, Vocal Arts, Music ( Historical Musicology), Early Music Performance
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47286D | 001 | Lecture | TBA | TBA | 2 of 25 | Brian Head | MUS317 | |
Practical work experience in the student's field of study, at an off-campus location. Students are individually supervised by faculty. Open only to doctoral students in music. Graded CR/NC.
- Restriction: Registration open to the following major(s): Music ( Historical Musicology), Choral Music, Composition, Early Music Performance, Jazz Studies, Music Education, Bassoon, Clarinet, Classical Guitar, Double Bass, Flute, French Horn, Harp, Performance (Keyboard Collaborative Arts), Oboe, Organ, Percussion, Piano, Saxophone, Studio Guitar, Trombone, Trumpet, Tuba, Viola, Violin, Violoncello, Vocal Arts
- Restriction: Registration open to the following class level(s): Doctoral Student
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47294D | 001 | Lecture | TBA | TBA | 6 of 25 | Brian Head | MUS317 | |
Studies for the Qualifying Examination. Duplicates credit in GRSC-800. CR/NC.
- Restriction: Registration open to the following class level(s): Doctoral Student
- Restriction: Registration open to the following school(s): Flora L. Thornton School of Music
| Section | Session | Type | Time | Days | Registered | Instructor | Location | Syllabus | Info |
|---|---|---|---|---|---|---|---|---|---|
| 47297D | 001 | Lecture | TBA | TBA | 17 of 40 | Brian Head | MUS317 | |