USC Schedule of Classes

Mediterranean and European art and architecture presented in historical, cultural and social context that introduces art history as a discipline.

An introduction to the major art forms and monuments of religious art in India, Southeast Asia, China and Japan from prehistory to1300.

A broad survey, covering some 8,000 years and focusing on the material culture of the ancient world in a historical and social context.

Analyzing a wide range of case studies, this course provides a roadmap to analyze and interpret the built environment in many different eras and contexts.

Medieval visual culture as an introduction to the Christian heritage of western civilization and to the interaction of Church and state from the 3rd to the 13th century.

Consideration of various categories of "The Modern" as they have been constructed in Western art of the late 19th and 20th centuries.

Examination of social conflicts and political controversies in American culture through the lens of visual art and photography.

Survey of artistic works and monuments of ancient Greece from the Geometric through the Hellenistic period (c. 1000 - 30 BCE.).

Introductory survey of art and architecture of Christianity from 300-1300; biblical themes and classical traditions; cultural and historical analysis of medieval art.

Painting, sculpture and architecture in 17th century Europe, north and south. Recommended preparation: AHIS 121

(Paris semester only). Exploration of the main movements of late 19th and early 20th century French art using the resources of Parisian museums and monuments. Visits to Paris museums are an integral part of the coursework. Recommended preparation: familiarity with modern European history

An examination of European modern art and design, focusing on industrialization, urbanism, primitivisim, colonialism, and their relations to the arts.

Questions of social engagement and political structure address this examination of major international movements in art since 1940.

Introduction to heritage studies with a focus on the developments and representative examples in China, Korea, and Japan.

Independent work in art museums, galleries or art history related institutes supervised by on-site professionals and USC faculty. Not available for credit for AHIS majors. CR/NC

Selected problems in the history, theory and criticism of photography; recent scholarship considered in relationship to specific photographers and photographic images.

In-depth exploration of specified topics within the area of Japanese art and architecture.

Individual research and readings. Not available for graduate credit.

Historiography and methodology: introduction to techniques of research and writing. Required of all art history majors, preferably in junior year.

Research and writing of original thesis under guidance of faculty member. Prereq: Consent of instructor.

Research and writing of original thesis under guidance of faculty member. Prereq: Consent of instructor.

Research leading to graduate degree. Maximum units which may be applied to degree determined by department. Graded CR/NC.

Practical principles for the long-term development of effective teaching within College disciplines. Intended for teaching assistants in Dornsife College. Open only to Art History doctoral students. Graded CR/NC.

Trains Art History graduate students to write for a variety of professional purposes, such as grant and job applications, conference abstracts, and reviews.

Research leading to the Doctorate. Maximum units which may be applied to the degree to be determined by the department.

Credit on acceptance of Dissertation. Graded CR/NC.

Credit on acceptance of Dissertation. Graded CR/NC.

Credit on acceptance of Dissertation. Graded CR/NC.

Credit on acceptance of Dissertation. Graded CR/NC.

Credit on acceptance of Dissertation. Graded CR/NC.