USC Schedule of Classes

Mediterranean and European art and architecture presented in historical, cultural and social context that introduces art history as a discipline.

An introduction to the major art forms and monuments of religious art in India, Southeast Asia, China and Japan from prehistory to1300.

A worldwide perspective of architectural history as a product of social, cultural, religious, and political dimensions, b: 1500 CE to present.

Lecture-studio course on the theory and history behind contemporary art, design, and visual communication; students also create work, informed by ideas from the lecture.

Classical Greek and Roman mythology as inspiration for literature, art, music, and film in various historical contexts.

A loosely chronological, thematic survey of art, visual culture, design, and critical theory from the early modern period through modernism (1500 1950).

Gateway to majors and minors in cinematic arts. Technique, aesthetics, criticism, and social implications of cinema. Lectures accompanied by screenings of appropriate films.

The development of international cinema from its beginnings to World War II. Lectures, screenings, and discussions.

The television writer as an agent of change across current social issues including, but not limited to: race, gender, and class.

Examination of the role of dance in popular culture in a studio setting. Practical studies in styles and their evolution in recreational and professional settings.

Gateway to the minor in dance. An interdisciplinary overview of dance relating to the aesthetic and art in various subjects. Applications of the elements of dance studies, art criticism, and viewing productions to explore topic such as architecture, photography, poetry, technology, cinematic arts, sports, medicine, and more.

Introduction to the history and practice of Urban Folk Dance including hip hop, freestyle, street dance and the relevant social dances of the 20th century.

Exploration of the discursive foundations, political motivations, and aesthetic strategies of dance writers and artists whose works have enabled the category of "black dance."

The study of dance in movies, television, internet, mobile devices and new media. Examining dance on screen, influenced by storytelling, camera technology and editing.

An overview of the creative design process and introduction to techniques to solve visual problems.

A comprehensive study of visual communication focusing on graphic design from 1900 to the present. An introduction to design thinking, language and principles including political and cultural implications.

The multifaceted history of the creative act, its analysis, production, and context as a representation of human experience. (Satisfies GE-A, The Arts) Open only to Freshmen.

The multifaceted history of the creative act, its analysis, production, and context as a representation of human experience. Offered by a USC professional school.

Exploration of music and cultures of the world. Engagement with international musicians, global issues, field work and musical diasporas in Los Angeles.

An introduction to Western art music and culture from the Medieval, Renaissance, Baroque, Classical, Romantic and Modern eras through reading, listening, analyzing and writing about music.

A uniquely American genre, the Broadway musical serves as a catalyst for inquiry into human diversity, cross-culturalism, and significant social and political issues.

The origins and development of EDM and its relatives such as disco, house, techno, rave and electronica, focusing on cultural and technological influences.

A chronicle of the musical contribution of Africans and African Americans to American society and to the foundations of musical genres and styles throughout the world.

A history of hip-hop music from its inception to the present: its musical processes and styles, as well as attendant social, political and cultural issues.

The aesthetic and ethical issues of genre-bending music in 20th and 21st century rock, classical, jazz, and folk music.

Comedy and Performance traces the history of comedy in performance from its earliest incarnations to the present day.

A multicultural and transnational examination of the history,theory, and practice of theatre from the Renaissance to the 19thcentury. Recommended preparation: THTR 125.